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Ocean’s Eleven (2001) – Review
In 1997, when he reluctantly (at first) agreed to direct Out of Sight, Steven Soderbergh’s career was foundering. Though he had started out strong with his feature debut, sex, lies, and videotape being a box office and critical success (as well as winning the Palme D’Or at the Cannes Film Festival the year it was…
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The Thomas Crown Affair (1999) – Review
In its February 1969 issue, Harper’s (a monthly culture, literature, and politics magazine) published Pauline Kael’s “Trash, Art, and the Movies” essay, where she argued movies dismissed as “trash” because they merely aspired to be “entertainment” were as much art as “art” movies.* Unfortunately, in order to make that valid point, Kael indulged in what…
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Reel 66: The Remake Was Better 2
As noted in the previous episode, once in awhile a film gets remade that actually manages to eclipse its predecessor for one reason or another. This is the second of two episodes wherein we look at two films that stand as a good example. We begin with The Thomas Crown Affair, from 1999. It was…
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Dirty Rotten Scoundrels (1988) – Review
John Huston is credited with saying there was no sense in remaking a good movie, that one should only remake a bad movie so it will turn out better. One movie that shows the validity of that argument is Frank Oz’s Dirty Rotten Scoundrels, which is a remake of Ralph Levy’s Bedtime Story (Dale Launer…
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The Man who Knew Too Much (1956) – Review
As with the idea of a MacGuffin, the concept of “refrigerator logic” had been around for a long time in narrative (though obviously called something else before refrigerators, or iceboxes, had been invented, if there was a term for it at all), but it was Alfred Hitchcock who helped popularize it (though he referred to…










