Reel 80: Political Thrillers

In previous episodes, we’ve dealt with political stories. Most of them involved spies of some kind, or they involved fictional characters overlaid on real-life scenarios.

This time around we have two stories based on real-life events, though there’s a “but” in there. We’ll get to that in a minute. In this episode we’re looking at a pair of political thrillers. We start with The Battle of Algiers, which is from 1966 (though it had several release dates). Now, you hear a title like that and you say, “Oh, war movie.” But the war in this case is taking place in the streets of Algiers, and it involves the events of 1954 through 1957. During that time the French government was fighting off guerilla insurgency. Things are largely stalemated–with incremental escalation the entire time–until the French army moves in. You’ll find yourself unable to figure out who you’re supposed to root for.

From there we move to 1969 and the film Z (or Zed, if you prefer), directed by Costa-Gavras. This is a thinly-fictionalized account of the events surrounding the assassination of democratic Greek politician Grigoris Lambrakis in 1963. We get to see both sides of the dispute in this case, and again it’s tough to tell who the good guys and the bad guys are. It’s a gripping film whose ending is about as cynical as they come. Too bad it’s pretty much what happened.

COMING ATTRACTIONS: 

Episode 81 will be the first of three episodes where we look at films which are made in a very specific style. Perhaps it’s homage to a director, perhaps it’s unconscious imitation. Find out with us as we review 1981’s Diva, directed by Jean-Jacques Beineix. From there we move to 2006 and Tell No One, directed by Guillaume Canet, both of which appear to be shot in the style of Alfred Hitchcock. Join us, won’t you?

Reel 53: Only Disconnect

Sean and I individually thought for a long time about what a good title for this episode might be. We’d informally called it “Personalities,” but that was too bland. We kicked around “Mind F**ks” but we like being family-friendly, mostly. There were a few others, and as publication time approached, I was afraid we weren’t going to come up with anything we liked.

I don’t know if I like “Only Disconnect,” to be honest, but it was simultaneously a little bit clever and tied in well with an upcoming episode, which is titled “Only Connect”. And I think it does work with this episode’s films.

We have a couple of films this time around wherein characters’ personalities change in surprising ways. And the way they ultimately behave as a result of those changes comes as a surprise (we think) in both films.

First, we examine Ingmar Bergman’s Persona from 1966. Persona stars Bibi Andersson and Liv Ullmann as a nurse and her patient. They find themselves isolated at a beach house for several weeks. It’s meant to be therapeutic, but what that means becomes murkier as the film progresses.

From there we go to 1970 and Performance, written by Donald Cammell and directed by Cammell and Nicolas Roeg. It stars James Fox and Mick Jagger in his film debut (though Ned Kelly was released first), along with Anita Pallenberg and Michèle Breton as a foursome who find themselves in a world of drugs and sex and shattered minds. I guarantee that you will not see the last 15 minutes of this film coming, so even more than usual we should warn you to see this one before listening to the episode, but beware: it’s not for the squeamish. And we should note that while we don’t use explicit language during this episode, we do discuss some rather mature themes throughout.

COMING ATTRACTIONS: 

In Episode 54 we go to France and review two movies that have crime at their center. From 1960, it’s Jean-Luc Godard’s Breathless, followed by Le Cercle Rouge, from 1970 and directed by Jean-Pierre Melville. We spend perhaps more time than necessary musing on the ending to Breathless. Come join us in the confusion.