Reel 45: Before the Revolution

I know the matching doesn’t quite work but I still like the way the cover art for this one came out.

We’re back on track, episode number-wise. And in this case we’re looking at a couple of periods in time that aren’t very far apart. Despite their relative closeness on the calendar, they each represent a time before a big shift in the music scene.

First up is Honeydripper from 2007, written and directed by John Sayles. It stars Danny Glover as a bar owner who’s struggling to keep his business and his life afloat. Throughout the film he talks to a blind musician whose role is…well, I’ll leave that up to you to decide.

In Part 2 it’s 2013’s Inside Llewyn Davis, written and directed by the Coen Brothers, Joel and Ethan. Oscar Isaac plays Llewyn, who was once half of a folk duo but he’s striking out on his own. Why he’s doing this is something that gets explored during the film. The Coens, as usual, take a lot of interesting coincidences and a lot of dark comedy and turn it into a very enjoyable film. Llewyn is clearly based on folk singer Dave Van Ronk, though there are a few Bob Dylan elements thrown in. But the film takes place just before anyone knows who Bob Dylan even is. And the interesting thing is, the one thing tying all of the film’s elements together is…a cat. No kidding.

COMING ATTRACTIONS: 

Episode 46 is the second of our “Lost Episodes,” as we take a peek at a pair of musical films from 1986 that feature David Bowie as a villain. First up is Absolute Beginners, directed by  Julien Temple. And in the second half, we take you into the Labyrinth, directed by Jim Henson in his last project before his untimely death.

Reel 20: Depression Comedies

We’ve heard any number of film scholars suggest that the films of the Depression Era were meant to be escapist entertainment, and that’s why screwball comedies and lavish musicals really took off during that period. People were having miserable lives, and for a couple of hours they could get away from all that.

1941’s Sullivan’s Travels essentially comes around to that point of view, but it takes pretty much the entire film to get there. Nevertheless, Preston Sturges has given us a fun bit of a romp…until it’s not. But even the point after the film takes a hard turn has some comedic moments in it.

We’re also spending some time on the Coen Brothers’ film O Brother, Where Art Thou?, from 2000. It’s also set during the Great Depression and it takes a very different look at that time while still providing a ton of entertainment. And while both films have wildly divergent approaches to that period—which could easily be attributed to the distance provided by time itself—there are many, many things which the two films have in common. In fact, we’d venture to suggest that we only barely scratched that particular surface, despite this being a rather long episode.

COMING ATTRACTIONS: In our next episode we look in on the lives of ex-spies and the things they do to keep busy. In that spirit we have 1998’s Ronin and Duplicity, from 2009.