Reel 69: When Icons Meet

In a way, this episode is an unofficial third in our recent series of fairy tales, in the sense that it depicts a couple of “What if?” scenarios, except this time around we’re using people who really existed. First up is Insignificance, from 1985, and then it’s One Night In Miami… from 2020. Interestingly, both films involve four famous people and take place largely in a hotel room, and they’re also based on stage plays. So: a lot of commonality going on here.

In Insignificance, we get four characters identified only as The Professor, The Actress, The Senator and The Ballplayer, but it’s pretty clear that they’re meant to be thinly disguised versions of Albert Einstein, Marilyn Monroe, Joseph McCarthy and Joe DiMaggio.

Our four characters interact in ways that are at different times frightening, outrageous, charming and endearing. It’s an interesting take on power, fame, and knowledge, and how they can be simultaneously good and bad.

In Part 2 of our episode we’re looking at One Night in Miami… (2020), directed by Regina King.  In this film, it’s clearly spelled out that we’re watching Malcolm X, Muhammad Ali (still in his Cassius Clay days), Jim Brown and Sam Cooke. The four of them come together in early 1964 and spend a rather contentious evening together discussing their roles in the Civil Rights Movement of that era. The evening ends abruptly when they discover that the press has gotten wind of the meeting.

Side Note: One Night in Miami… was produced by Amazon Studios. Doesn’t their opening logo make you think of the intro to Game of Thrones? Or is that just me?

COMING ATTRACTIONS: 

In our next episode, we’re looking at a couple of films that depict Love During Wartime. We’ll start with The Unbearable Lightness of Being, from 1988, and move on to  Cold War from 2018. Join us, won’t you?

Reel 53: Only Disconnect

Sean and I individually thought for a long time about what a good title for this episode might be. We’d informally called it “Personalities,” but that was too bland. We kicked around “Mind F**ks” but we like being family-friendly, mostly. There were a few others, and as publication time approached, I was afraid we weren’t going to come up with anything we liked.

I don’t know if I like “Only Disconnect,” to be honest, but it was simultaneously a little bit clever and tied in well with an upcoming episode, which is titled “Only Connect”. And I think it does work with this episode’s films.

We have a couple of films this time around wherein characters’ personalities change in surprising ways. And the way they ultimately behave as a result of those changes comes as a surprise (we think) in both films.

First, we examine Ingmar Bergman’s Persona from 1966. Persona stars Bibi Andersson and Liv Ullmann as a nurse and her patient. They find themselves isolated at a beach house for several weeks. It’s meant to be therapeutic, but what that means becomes murkier as the film progresses.

From there we go to 1970 and Performance, written by Donald Cammell and directed by Cammell and Nicolas Roeg. It stars James Fox and Mick Jagger in his film debut (though Ned Kelly was released first), along with Anita Pallenberg and Michèle Breton as a foursome who find themselves in a world of drugs and sex and shattered minds. I guarantee that you will not see the last 15 minutes of this film coming, so even more than usual we should warn you to see this one before listening to the episode, but beware: it’s not for the squeamish. And we should note that while we don’t use explicit language during this episode, we do discuss some rather mature themes throughout.

COMING ATTRACTIONS: 

In Episode 54 we go to France and review two movies that have crime at their center. From 1960, it’s Jean-Luc Godard’s Breathless, followed by Le Cercle Rouge, from 1970 and directed by Jean-Pierre Melville. We spend perhaps more time than necessary musing on the ending to Breathless. Come join us in the confusion.