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Reel 78: Love the Film, Hate the Side Effect, Pt. 2
Oddly enough, I hate the artwork on this episode but I love the fact that I was able to match the films’ respective fonts. You win some, you lose some. We conclude our mini-series with another pair of films that you can’t help but love. Unfortunately, they’ve also had a ripple effect, and the ripples…
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The Accidental Tourist (1988) – Review
This was originally written on Facebook as a post in talking about my favorite movies released in the U.S. in 1988. As I’ve been writing these reviews, you might have noticed how I’ve tried to bring up the ways even movies I love may have issues in how they deal with issues that have come…
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Mr. Smith Goes to Washington (1939) – Review
Whenever Claude and I have talked about movies that were made during the Hays Code Era – specifically, movies made before and during World War II – we’ve always mentioned whenever those movies indulged in racial stereotypes that were ignored at the time but are offensive to watch today (to be sure, there were plenty…
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Reel 77: Love the Film, Hate the Side Effect
To give you some idea of the lead time we have on our episodes, ponder this: we recorded this episode only a couple of days before President Joe Biden delivered his State of the Union address for 2024. And here we are, with me coincidentally composing this post shortly after Biden announced his withdrawal from…
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Shelley Duvall and Robert Altman
There’s been a lot written about the great director/actress relationships, ranging from the seven movies Marlene Dietrich did for Josef von Sternberg to all the movies Ingmar Bergman did with many different actresses, including Bibi Andersson, Ingrid Thulin, and Liv Ullmann. One of the stronger actress/director pairings in America was director Robert Altman and actress…
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The Long Good Friday (1982) – Review
One of the best scenes in The Godfather is when Don Corleone (Marlon Brando) goes to a meeting with the heads of the other Five Families (as well as mobsters from other parts of the country), and they, led by Don Barzini (Richard Conte), try to convince him to take the deal he had rejected…
Two Movies…One Theme
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Marie Smith
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