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Reel 68: More Modern Fairy Tales
In this episode we continue our theme of Modern-Day Fairy Tales, even though in one case it’s not necessarily set in the present day. So let’s just call it a present-day telling of a fairy tale and leave it at that. And that’s where we start this time around, with 1993’s The Bride With White…
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Mona Lisa (1986) – Review
Neil Jordan has made a number of different kinds of films, from biopic (Michael Collins) to literary adaptation (the remake of The End of the Affair) to comedy (the remake of We’re No Angels) to revenge film (Angel, aka Danny Boy, his first film, and The Brave One). However, there have been two consistent strands…
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Reel 67: Modern Fairy Tales, Part 1
Apologies for the delay to this episode, but I got Covid last week at the same time as a sinus infection, and I was definitely laid low for awhile. Not a cool way to spend your birthday week, to be sure. Anyway, thanks for your patience. In today’s episode we’re looking at two films that…
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Ocean’s Eleven (2001) – Review
In 1997, when he reluctantly (at first) agreed to direct Out of Sight, Steven Soderbergh’s career was foundering. Though he had started out strong with his feature debut, sex, lies, and videotape being a box office and critical success (as well as winning the Palme D’Or at the Cannes Film Festival the year it was…
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The Thomas Crown Affair (1999) – Review
In its February 1969 issue, Harper’s (a monthly culture, literature, and politics magazine) published Pauline Kael’s “Trash, Art, and the Movies” essay, where she argued movies dismissed as “trash” because they merely aspired to be “entertainment” were as much art as “art” movies.* Unfortunately, in order to make that valid point, Kael indulged in what…
Two Movies…One Theme
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