Category: Lumet, Sidney

Films directed and/or written by Sidney Lumet

Reel 79: The Dark Side of TV

We don’t often use topics that I chose, but when we do, we have a lot to talk about. Sean and I both love each of this week’s films so unabashedly that both halves of the episode are rather overstuffed, even after editing.

This time around we’re exploring the dark underbelly of media-based popularity, and while both of these films concentrate on television, this could easily be extended to social media. That’s how eerily prophetic these films turned out being, with the exception of a small detail that I’ll get to in a moment.

We start with 1957’s A Face in the Crowd, directed by Elia Kazan and starring Andy Griffith and Patricia Neal. The two are a couple whose lived become intertwined as Griffith’s character increases in popularity from local radio, to national television. It’s a fascinating study in “absolute power corrupts absolutely” and while Kazan gave us the breadcrumbs from the first frame in which we see Griffith’s character, we’re still left with a small “what happens next?” One character, played by Walter Matthau, has an idea, but it’s possible he’s being too cynical.

From there we move on to 1976’s Network, directed by Sidney Lumet and starring Peter Finch, William Holden and Faye Dunaway. Finch is a television news anchorman who, on the cusp of being fired, decides to say exactly what’s on his mind, and the audience reaction is as unexpected as it is sensational for the network brass, who want Finch to keep doing the Angry Prophet of the Airwaves thing. It hardly matters that Finch’s character is starting to spiral in mentally; the executives are willing to exploit him for as long as he’s profitable…and no longer. So what happens next?

Screenwriter Paddy Chayefsky wrote such a perfect satire that people today don’t even seen the satire in it, because it’s so prophetic. As I mentioned, the film got one detail wrong: Media has tapped into conservative grievances and politics rather than the liberal side.

COMING ATTRACTIONS:

In our next episode we’ll be looking at a couple of political thrillers from overseas. We start with 1966’s The Battle of Algiers, and move on to Z (or Zed, if you prefer) from 1969. Join us, won’t you?

Reel 38: You Can Like Both, Part 3

When two films are this similar in subject matter, it’s curious that they were both released by the same company during the same year (Columbia Pictures, 1964). But therein lies a story, as Sean will tell you during this episode.

Both Dr. Strangelove and Fail-Safe deal with an American airplane that’s “gone rogue” for different reasons. Both planes are on their way to deliver a nuclear bomb to the Soviet Union. However, one is going because the commander who sent it is insane, while the other one is going because of a technical malfunction. However, the end result is going to be the same, even if the approach that each film takes is vastly different.

Dr Strangelove, or How I Learned to Stop Worrying and Love the Bomb (if you’re a completist about titles) is a black comedy directed by Stanley Kubrick and starring Peter Sellers (thrice), George C. Scott and Sterling Hayden, with a strong supporting cast of character actors. Meanwhile, Fail-Safe was directed by Sidney Lumet and stars Henry Fonda, Walter Matthau and several actors who are at the start of long careers.  It’s a tense drama—so tense, in fact, that it has no musical score. And it’s got one of the most compelling endings you’ll ever see.

COMING ATTRACTIONS:

Part 4 of this five-part series continues with The Return of the Secaucus 7, written and directed by John Sayles, and The Big Chill, directed and co-written by Lawrence Kasdan. See you soon!